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 Close to the knife.

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It is close to the brush or the knife that one sees the painter. 
It’s while following each feature, each key, each change of colour or texture which one 
imagines how much the work of the artist is difficult. 

Up to now you could see it only in front 
of work, in a gallery, with the museum or the exposure. 

But it’s sometimes complicated, there is crowd, 
there are too many paintings, you regret not having spent time enough in front of the painting of this artist, 
of which besides you forgot the name… 

Far from the scuffles, in front of your screen, you will be able 
to study and appreciate the work of the painters whereas you had never dared to ask it… 



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Close to the knife.